I finally finished this temari last night after stitching on it for a week. The stitching wasn't very difficult, but the pattern requires using 24 threads 3 stitches at a time, in turn. Since starting a thread isn't one of my favorite things to do, I decided to let the threads hang from the ball between their turns; most of the time was spent untangling threads. I could only do about 1/2 a round before getting tired of the tangles.
I'm very glad I stuck it out, though, because I find the comparison between this temari and my "temari of many colors" very interesting. The marking and colors are exactly the same on these two temari; the only difference is in the order of stitching. In the first one I stitched all the light colors (red and yellow, blue and green; one row at a time), then the medium, then the dark. In the second one I stitched a row of light red, then medium red, then dark red (twice), then a row of light yellow, medium yellow, dark yellow, and etc. until I ran out of room.
On an all-over ball like this the pattern doesn't show up until close to the end, and it's hard to guess what the ball will look like. This set was done on a c8; I've seen them on c10s as well.
These balls both need to be groomed, or "nudged and fudged" so you can't see through the stitching to the underneath. When I am holding them in my hand I don't notice that the threads have shifted somewhat.
I'm already started on the next one; I'm trying the day lily again with better colors, this time on a c6 with very fine thread. It's going quickly, though, and should turn out good.
Friday, August 21, 2009
Monday, August 17, 2009
Office views
I moved offices (cubicles) a couple of weeks ago, and I finally got everything arranged the way I want it. Here's my windowsill with knick-knacks and temari:
From left to right we have Puerto Rico, India, India, New Zealand, (temari), Guatemala, Romania (with Ukraine) and an embellished ostrich egg.
You can also see a corner of my tea collection.
This is my embroidery wall (clockwise): Suzani, Mexican sampler, Myanmar batik, Paraguayan Ñandutí, Chinese silk painting; Peruvian Arpillera, cross stitch in Arabic, Guatemalan mola, prayer rug from Uzbekistan, and batik from Indonesia.
Looking at these every day makes me very happy.
From left to right we have Puerto Rico, India, India, New Zealand, (temari), Guatemala, Romania (with Ukraine) and an embellished ostrich egg.
You can also see a corner of my tea collection.
This is my embroidery wall (clockwise): Suzani, Mexican sampler, Myanmar batik, Paraguayan Ñandutí, Chinese silk painting; Peruvian Arpillera, cross stitch in Arabic, Guatemalan mola, prayer rug from Uzbekistan, and batik from Indonesia.
Looking at these every day makes me very happy.
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